The Radavist

The 2023 Bespoked Handmade Bicycle Show just wrapped after three action-packed days of talks, parties, and drooling over heaps of amazing craftsmanship on display. Josh was on the ground at the Dresden, Germany airport where this year’s event took place, and, below, shares his second gallery of bikes and a couple of interesting components. Let’s get right into it!

Each framebuilder has probably their own relationship with the Concourse de Machines. Mine is not monochrome.

On the one hand, there is the excitement of creating a product with soul and sharing it with the framebuilding family. Our profession is “socially” atypical. It is at the same time very solitary: us and our ideas, our tools, the calm atmosphere of the workshop. And it is also inevitable to expose the brand/our work on social networks, the only lever to promote ourselves autonomously, without counting on the press. During the CDM contest, this too virtual sphere becomes the timespan of a few days entirely palpable and real. I find in the other framebuilders a sensitivity, convictions, a listening that it is hard to find in someone who did not go through the same choice of professional life as me. For many, it remains one. The contest is also about that: talking about our joys, our doubts, our desires, our difficulties, and that makes it very attractive to me.

On the other side, there is this shell that I try to put on myself since the frustrations felt during the CDM 2019. I had a bad experience putting so much soul into a project to feel pretty much unconsidered. Too young, too shy to show off, not enough in the good papers. So I take advantage of each edition to remind myself that we are doing this competition above all for ourselves, to continue to invent ourselves. The look of others is sometimes pleasant and often relevant, but it should not affect our own.

We are Manivelle, a framebuilder based in Strasbourg, France. Here is our build for the “Concours de Machine” 2021.

“Concours de Machine“, WHAT’S THAT?

The “CDM” is a historical event of the small French framebuilding world, born early in the 1900s, the golden age happened between 1934 and 1949 including Jo Routens and Rene Herse’s work. The Concours disappeared for a long time after the industrialization but is back to life since 2016.