The Radavist

Over the last couple of years, our European correspondent Petor Georgallou has gotten to know Sour Bicycles, a small East German bike company who are trailblazing in their mix of domestic framebuilding in Dresden and continued importation of Taiwan-made bikes. Read on to hear about the unique conditions that have made the former states of East Germany a hotbed of innovation and manufacturing in Europe, as well as how a mega fail by Petor leads to the second of many shop visits in Germany.

Our far-flung international correspondent Petor Georgallou returned to Girona, Spain last October for GiRodeo 2023, The Service Course‘s flagship end-of-season event. It was an action-packed weekend with great riding, wild parties, music, coffee, friends, and loads of beautiful custom and bespoke bicycles on display. In his first report from the event below, Petor details his time as a guiri in the Catalonian region, improvising after only half of his bike showed up, subsequently uber-underbiking for 155 km, attending a wild Correfoc for the second year in a row, and much, much more. And be sure to stay tuned tomorrow for Petor’s overview of eight stunning custom builds from the event!

Longtime contributor, product tester, and Bespoked co-owner Petor Georgallou shares his list of Favourite Products of 2023. With an eye for aesthetics, function, and alternative uses, Petor’s top picks run the gamut of what you might expect to find on this site, from boutique bikes to a lowly notebook. Read on to learn how he hacked a Wizard Works bag, made use of a “smiling butt kit,” a look at a couple products he’ll be reviewing next year, and two playlists he recently assembled for Bespoked…

Steel may be real but, for Petor Georgallou, that cliché begs the question: is wood good? Ever the curious reviewer, Petor has long wanted to test the ride quality of a wooden frame and the opportunity to ride a Twmpa Cycles GR1 gravel bike finally presented itself a few months back. But before Petor dips into his ride impressions, he shares an exchange with another wooden builder, Mark Kelly, about the characteristics that make wood an especially compelling frame-building material. After checking out Petor’s review of the GR1, drop into the comments and let us know…would you? Wood you!?

Today, we continue Petor Georgallou‘s coverage of Eurobike 2023. In his second installment from this year’s convention, Petor looks at an ensemble of beautiful bikes, in addition to what Eurobike considers the future of mobility. While shocked at first, the more Petor peeled back the layers of what was on display, the more interested he became… 

Eurobike is a massive convention that takes place annually in Frankfurt, Germany, and is described as “the central platform for the bike and future mobility world.” Petor Georgallou was on the ground at this year’s event and, below, uncovers the latest and greatest from the longest-travel downhill bikes to the smallest-wheeled folding bikes. But, first, he had to get in…

Founded in 2016, Albion Cycling has dramatically expanded its apparel offerings in the past decade. And while the product line has grown, the UK-based company has stayed true to its fast-paced iterative roots and is now working closely with the technical fabric company, Pertex, in designing remarkably lightweight and packable products, for on and off the bike. Petor Georgallou pays a visit to Albion’s design HQ for a closer look…

Back in March, as part of the Kolektif Bike Fair in Berlin, the team behind Rad Race put on the 9th annual Last Wo/Man Standing fixed gear race at the winding indoor Mobikart go-kart circuit track. Additionally, the bike fair featured a handful of stunning custom builds on display from an array of framebuilders including Drust, Omnium, Rossman, Morassi, Trout, ten:07, and Vetra. Petor Georgallou was there for it all and shares a full report and massive image gallery below.

Argonaut’s GR3 gravel bike combines the trademarked GravelFirst geometry with a custom rider-specific carbon layup to create what the Bend, Oregon-based frame and component builder claim to be a “rip-capable gravel bike unlike any other.” So, what does Petor Georgallou‘s time as a high schooler working at a video rental shop have to do with the Argonaut GR3? And, if he tells you he likes the bike, will you even believe him? Read on to find out…

We’re back today with Josh’s second installment of coverage from the Bespoked Handmade Bicycle Show! Let’s jump right in below with more recapping and a gallery of beautiful builds from Prova Cycles, Clandestine, Black Sheep Bikes, Etoile Cycles, Dawley Bikes, Avalanche Cycles, Coal Bikes with Black Cat Custom Paint, Fahrradbau Stolz, and Sour Bicycles…

Just over one week ago Josh was in London for the 2022 edition of Bespoked Handmade Bicycle Show. Under new ownership and management, the show moved from its former location in Bristol, England to the Lee Valley Velo Park in Stratford of East London. With three days of track racing, talks, food, hangs, coffee, enviable new products, and—of course—hundreds of eclectic and beautiful bicycles on display, the show was a major success for the new organizers, exhibitors, and attendees.

Let’s dive straight into Part One of our recap below with a look at bikes from a bevy of builders: Sturdy Cycles, Quirk Cycles, Donhou Bicycles, Sideways, Lord Cycles, Stayer Cycles, Ted James Designs, and Auckland Cycle Works…

Saying we woke up would imply sleep, which is a luxury the night before the Concours de Machines race hadn’t afforded us, owing to thick black clouds of mosquitoes that infested our van. I lit a church of citronella candles and closed all the doors and windows, while Josh rolled himself up in a sheet and slept outside on a decrepit shezlongé that sat outside the factory. Mosquitos spent the night screaming and raging in our ears while doing their best to tear us limb from limb. At 4 am they sat lining the window sills, fat and bloated, drunk on our blood.

I killed a dozen of them with an old sock in one limp sleep-deprived swipe as a tokenistic act of vengeance, knowing they’d be saving their strength for another assault the next evening. I stood in Andreas’ elegant la fraise workshop contorting my body to scratch bites between nerve endings on my back, craving coffee as the pilotes clip clopped in on road shoes. For many of them, road shoes were a terrible choice. The 204km route billed as a road with some cobbles and gravel somehow encompassed 1466m of short sharp climbs in an oppressively pancake-flat landscape, as well as some muddy singletrack. The singletrack must have caught teams rolling on 28c slick tyres off guard, and would prove catastrophic for some.

This is the second of two reports from the 2022 Concours de Machines. Be sure to check here for the first installment!

In 2018 I was invited to take part in the third edition of Concours de Machines as Dear Susan, in the medieval town of Bruniquel in the south of France. The Concours is a recent(ish) revival of a frame-building contest first organized in 1903 that ran up to the late 1940s. It was traditionally hosted in different locations around France, the goal of which was to demonstrate the superiority of artisanal “constructeurs” and their machines, over production bikes.

Before accepting the invitation, there were some red flags for me. For instance the idea of “better;” how you can numerically score one bike against another, especially if they’re designed and made around a particular rider for a particular course? There’s so much that just comes down to preference! Reading further into the scoring system, the seemingly arbitrary categories actually became quite liberating, in that scores were given based on abstract criteria rather than what constituted a good or appropriate bike. Limitations included things like: “the bicycle must have wheels with tyres, and a system with which to steer,” as well as point scoring sections like: “the bicycle must be able to power its own lights and it must have bags to carry everything you need for an overnight trip.”

This is the first of two reports from the 2022 Concours de Machines. Be sure to check back tomorrow for the second installment!

A few weekends ago I found myself at Eurobike in its new Frankfurt übervenue. Eurobike has always been huge, but this year I was made acutely aware of the distances involved by the cab driver who dropped me off at the wrong entrance, and then charged an additional nine Euros for the 10-minute cab ride to the correct entrance. I bumped into another journalist who showed me her step count for the day, which prompted me to check mine, showing that I’d walked almost 60km or 40 miles of Shimano blue carpets over the space of two days. Shocking!

In what I hope will be the first of many monthly(ish) articles, of varying lengths, Nikolai and I visited (in)famous bicycle designer Mike Burrows, who has been a constant in terms of support, inspiration and taking me down a peg or two when I need it (always). Nikolai filmed our trip on my Sony A7iii as part of an ongoing project, so I decided it would be especially fitting for Mike to document our trip on celluloid with my Mamiya C330, and a little Olympus rangefinder on Kodak Portra 800 film.

Over the past few weeks I’ve enjoyed becoming re-acquainted with an old friend. As I’ve been slowing back down to a more creative and contemplative speed, un-encumbered by “normality” or any other external influence and bolstered by the vivid dreams associated with normal sleep patterns, a relaxed mind and inappropriately timed cheese consumption, I’ve settled nicely into fat tyres and riding fixed on sandy beaches. As the salty air of coastal living coupled with a lack of access to spares, tools and equipment that allow our bikes to keep rolling, caused the rideable bikes of our household to drop like flies. I was forced to delve deep into the museum of slightly broken bicycles that is my loft.