The Radavist

I have written, deleted, and rewritten this article several times now. There was the version that leaned in hard to trying to be funny, the version that tried too hard to be philosophical and deep, the version that was a cut-and-dry, day-by-day account of the trip, and finally this one: some words written less about the trip itself and more about why I am so thankful we approached it the way that we did.

Read on for Andy Karr‘s full re-telling of a recent bike tour from Santa Fe to Las Cruces, New Mexico…

Photographers can be a stubborn bunch when it comes to their affinities for particular camera brands, formats, processing methods, etc. For me, camera straps are no different; once I find one I like, I stick with it. Admittedly, I have a lot of cameras and, for the most part, favorite straps for each.

I recently swapped out the straps on my most heavily-used analog cameras for two new rope straps from San Fransisco-based Outer Shell. I also started using their stabilizing wide strap for my primary digital camera setup, which I often cross-body carry while riding. Continue reading below for my thoughts on how these straps stack up in comparison to what I was previously using.

There are about 52 weeks a year and every week, we post 5 full-resolution galleries, meaning there are around 260 Reportage galleries a year for you to enjoy. The intention behind this website has always been about documenting the outliers of cycling and inspiring you, the readership’s next build and bike ride. Over the years, we’ve tapped into a wonderful resource of talented raconteurs and photographers. Hosting their work is both a privilege and an honor we cherish.

With such a massive image database, these Photographic Year In Review posts provide reflection, aspiration, and motivation to continue, to push on, and keep doing what we do best: tell stories and share photos.

Read on below for a short synopsis of this year with a massive gallery of inspirational photos from the past twelve months…

Sami Sauri’s Into the Atlantic Islands project takes an artistic approach to documenting multi-sport endeavors throughout Macaronesia with episodic videos, analog photography, and physical fanzines. We recently previewed the Madeira Islands installment of the project and, since then, Sami and team released five episodes on YouTube to complete the sequence. Today, to complement the video series, Sami shares some context around the project along with a stunning image gallery that’s only adding to our urge to start traveling internationally again! 

As I sit here looking through the rolls of film shot at this year’s Cyclocross Nationals in Chicago, IL, the feeling is bittersweet. Traditionally, Nationals marks the end of the domestic racing season, but as I wandered through the parking lot catching up with old friends, it felt more like the beginning of something. After two years of canceled events, postponements, and isolation, gathering in Chicago for this year’s race almost felt “normal.”

On the weekend of October 20, 2021, something came to pass that hadn’t for what seemed like forever: the Red Bull Bay Climb in San Francisco, CA. Done in heats, the Bay Climb is a straight line sprint up Potrero Hill with pitches of up to 21%. Racers have to complete no less than 4 trips up the hill, as fast as they can, for a chance to win.

While many of the sites and vistas here are fairly well known, we will not be providing names and furthering keywording the area for the Internets. We encourage you to find a Canyonlands map, a cup of tea, and a good reading lamp and enjoy letting your mind wander the nooks, grottos, bends, and spires on the map unfolded before you. 

The beauty of bikes is in the people who ride them—and how they all have a story. I have little doubt that everyone—serious riders, aeroed and grimaced, and carefree cruisers alike—have experienced that epiphanous fresh-air feeling of freedom that accompanies spinning your legs astride two wheels. Sometimes we just enjoy it at the moment—letting the short-lived wave of release and clarity wash over us during a weeknight burrito run, or a trip to the coffee shop. Other times we chase that feeling down with the hope that, somehow, it might change our life.

What first intrigued me about Josh Uhl was, however, not his history with bikes but his podcast Here For Now, which he started in February of 2021. Josh uses this platform to have intentional and intimate conversations with his guests about motivation, struggle, and the big whys of life. Listening to an early episode with Peter Hogan, where the recovering addict asserts that “Bikes aren’t God,” and to a later episode where the writer Zoe Röm reflects on the delusion of “authenticity” on social media, I found myself frequently nodding along. Yes, exactly.

This series is a look at the women pushing gravel cycling to be better than it already is.  I photograph them to share their stories, their outlooks, their experiences. 

With my hatchback stuffed with cameras and stands, camping gear, more cycling kit than I could wear, and my bike on the back I created this project. I put 3000 miles on my car over a month traveling around the country, connecting with these women in parking lots and trailheads, trekking through woods and up mountains. When I pulled up at the start line of SBT GRVL for my first bike race it was with many of them toeing the line as well.

Through every conversation, I learned more about them and the world of gravel that I’m falling so deeply into.  I shot against a backdrop to single out, raise up, and celebrate these icons of the sport.  Our time shared in this space I created sacred because of its intention.

What is more special than to create a moment, and then capture it?

“We have four kilometers to go with six hundred meters of climbing.” “Well, we can always walk.”

Self-named French “Team Tourist” is sitting cross-legged on a patch of gravel. Regardless of the weather or terrain, Mathias, Sophie, and Elise are smiling and calm, ready to take on anything.

Rue finds a tick behind her knee and Sophie lends us a tiny pair of plastic pliers to get it out. Then, she gives them to us as a gift.

“My hope is that we’ll all regroup here.”

Gaby’s phone rings.

“Okay. Well, that sounds like a good plan. How much is it? Okay. That’ll work.”

It’s day one and Sami is onto her second e-bike of the trip. She burned through the first one near Samoëns. She’s getting ahead and shooting from behind to make a video about our trip. E-bikes are incredible tools for media projects. Ali, the local expert, took her to a bike shop there to see if they could get a new battery and they said for some reason, it was so fried it wouldn’t charge. Instead, she’ll rent a new one with bigger tires, more suspension, and better brakes. With one camera enclosed in a scuba diving protective case, another strapped to a carabiner on her waist, a full backpack, and a drone in her hip pack, she looks like Lara Croft. On the new rig, she’s ready to rip.

I don’t consider myself an avid bikepacker. Yet, neither I think nor talk about riding my enduro bike (which I don’t have). Terminology in general has lost meaning for me in the past years in the bike world. I guess at the same time as many of us, I got overwhelmed with all the new kinds of everything, and the speed of development and diversity the market has achieved in such a short time. I tried to back off a little and find a short of safe place from where I can observe it all. And at the same time, the kind of biking I try to practice more is also quite determined by the act of observing.

I like to shoot the first frame on a roll of film no matter how carefully I load the roll I always end up getting something kinda strange and wonderful out of that first exposure – an effect yielded by the film’s interaction with light coming from two separate moments in time and space – the exposure of the film through the camera’s shutter, but also the light leaked onto the frame during the loading of the roll. One of my favorite photos ever is of my 17-year-old beagle/spaniel mix, Bucky, where he looks like he’s peeking out from behind a cascading sheet of liquid sun. The first exposure on this roll is of my friend, podcast co-host, and riding partner, Sarah rifling through overstuffed bikepacking bags outside of a country store in Damascus, Virginia about 15 miles into our 550-mile bikepacking trip through the mountains of Virginia and West Virginia. The image of her trying to squeeze a snack bar into a nonexistent empty space in the top tube bag is itself neatly constrained into the 2/3rds of the frame not devoured by light exposure obtained while the roll was being loaded.

Bicycle tourists are some of my favorite subjects to document. Especially ones that ride by their own rules. When a fella named Beau Walters dropped me a line on Instagram on Sunday, asking if I was free to meet up in Santa Fe as it was on his touring route from Boulder to Mexico City, I naturally obliged. Little did I know what I was getting myself into!

With $12,000 e-MTBs on the market, we asked ourselves, “what is the minimum you need in a bike to have fun?”… This is a wild ride, presented by Cjell Moné’s writing and Josh Weinberg’s vision. Enjoy!

Swipe, BMX video, swipe, oh, nice curved top tube, super-sharp photo of a gorgeous frame sitting on OSB, @sklarbikes. Swipe, snowboard video, swipe, oh, (pulls phone away and back in toward the eye), brain knots and unknots, those seat stays are hard to comprehend @oddity_cycles.

Swipe, surf video, swipe…AD for an OG Klunker from State. Swipe, swipe, swipe, backswipe backswipe backswipe….$399?! Shut up. The lines on that thing aren’t half bad. Swipe, swipe… Backswipe backswipe… I can’t stop looking at this affordable klunker from State. It comes with Kenda chunky 27.5 x 2.2 tires, a 1 1/8 threadless fork, and pretty decent lines. Not a huge fan of the chrome riser bars, but hey those Vans grips…hmm hmmm. $399?!